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Adam Stanovic has been shortlisted for the Prix Russolo for a piece based on filmic materials.



Joe Jackson and Fotis Begklis recognised at BAFTSS Awards 2025. 
Joe Jackson's debut book, Kahlil Joseph and the Audiovisual Atlantic, was awarded Runner-Up for Best First Monograph in the publication awards. Fotis Begklis was awarded Runner-Up in the Best Screen-based Practice Research (Short) category for his documentary The ‘Strangers’ Home.



Kim Noce has been selected as one of three artists commissioned for WORK Records, the new intiative from Animate Projects, connecting artists with industrial archives to create new animation-led work.
Over the coming year, Kim will be collaborating with the John Smedley Archive Charitable Trust, delving into over 240 years of textile history through film, print, and experimental animation.




Adam Stanovic awarded funding to support an interdisciplinary collaboration with the Acoustics Department at Universidad Austral, Valdivia, Chile.  
The collaboration explores themes associated with acoustic ecologies, soundscape recordings, and experimental electronic music. The project draws inspiration from Universidad Austral’s Soundlapse research, which employed a bespoke time-lapse method of recording sound to explore the urban wetlands surrounding Valdivia. In response, Adam is working with the London Wetlands Centre, composing works based on recordings made on site with a group of staff and students. 




Adam Stanovic is due to perform at Festival Futura 2024 – Focus Japon and KEAMS/SICMF - Korea Electro-Acoustic Music Society : 한국전자음악협회




Kim Noce has taken part in Kinder Than Cuts, a powerful protest animation that premiered at the Brighton International Animation Festival 2025.  
This AniJam—co-directed by Kate Jessop and Sarah Gomes Harris, and co-produced by Biscuit Platform—brings together animators from across the UK in response to the UK government’s proposed cuts to Personal Independence Payment (PIP) and disability benefits.




Adam Stanovic awarded funding to support a new audio-visual installation.  
The Clockwork Underpass is an audiovisual installation by Daria Baiocchi and Adam Stanovic. The installation pays tribute to the cinematic heritage of Wandsworth; it is situated in the Trinity Road Underpass, where key scenes from Stanley Kubrick’s ‘A Clockwork Orange’ were filmed, and it features the sound and images from various cinematic works associated with the Wandsworth area.




About the Night (2024), a short fiction film by Lee-Jane Bennion-Nixon, has been published as part of a multi-component research portfolio exploring small acts of kindness and human connection. 
The film has screened internationally, earning accolades including Best Story at The British International Film Festival and nominations for Best Narrative Short at Miami Women Film Festival and Best Female Director at the European Short Awards. Accompanying the film is a critical reflection published in an edited collection on fiction filmmaking as research, co-edited by Bennion-Nixon, offering a valuable contribution to the evolving field of practice research in screen storytelling.




Kim Noce’s article Unraveling Narratives: Animated Documentary as Embodied Knowledge has been published in Tangible Territory Journal, Issue 8: Ways of Knowing.  
The piece reflects on UNravel, a collaborative installation developed with the Women’s Skills Development Organization (WSDO) in Nepal.


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